-_¯¬ | d'Atramt
  • Home
    • BIOGRAPHY>
      • Reviews
      • CV
      • List of Compositions
      • Recordings
    • Links / Contact>
      • Contact
      • People
      • Qualz>
        • pre-quals study
    • Intro-2-EA-Music
  • The Composer
    • Fixed EA / Acousmatic>
      • 2-channel works>
        • e u t h a n a s i a>
          • euthanasianalysis
        • Nomos Delta
        • 8 Gluons
      • Multichannel works>
        • G®¡D
        • ®¡NG
        • The God Particle
      • Soundscapes>
        • Eidetic Variations
        • States of mind, matter, and America
    • Live Electronics>
      • I Have Only Crashed Once
      • Temporal Geodesics
      • Losing Limbs
      • Corse Mode
      • Impulsive Moments
      • Download
    • Acoustic>
      • Out of Two, 2
      • Sepia
      • M of PM
      • Alter-Soni-Cation
  • The Theorist
    • LIMBO: Filtered Entities and Enduring Sonic Objects
    • Statistical Contours >
      • footnotes
      • epic-footnote
    • Quasi Chaotic Systems in Lux Aeterna>
      • footnotes
  • The Programmer
    • Coding Problems
    • MaxMSP 4 Beginners
    • MaxMSP 4 Monkeys
    • Physical Modeling (gen~)>
      • 3rd Order ALLPASS filter
      • Spiral-Moebius-Tube
      • Wave-shaped Clarinet
  • The Performer
    • Featured Recordings
    • Programs
    • Videos

Download for Baritone Saxophone and Live Electronics

Commissioned by Carl Wiggins


The electronics often act as a sonic mirror, providing the performer a glimpse at his self. Any modification to the original sound represents the flaws of self-image. At times, the performer will attempt to act as the person he thinks he is, but will eventually realize that this is impractical.
Picture

I believe you should have free access to all my content;
however, please DONATE if/when you can.
© Dan Tramte 2013 | CONTACT