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(reverse chronological)


2018_____

degradative interference PRO — for solo guitarist, looping videos, mobile device, pedals, & objects
​


2017_____

🔄 🎹 — for two performers (piano/percussion), mobile device, spectacles, objects, & video

😎 🤳 — for [solo] saxophones, mobile device, video, & objects
​


2016_____

degradative interference PLUS — for deconstructed flute / morse code key, & e-guitar

​Helmut & Teddy Coming Down After a Rave — for quintet & video

Cancellation Artifacts — for video installation

#hijackthishashtag — for untrained voice, objects, edibles, melodica, hacked DJ-hero, & live video (15 min)



2015_____

Ursatzing the Unursatzable — concept piece

mini[aperture] — for solo cello (1 min)

Fever Dream
— for piano & electronics (infinite duration)

degradative interference LITE — for table-top guitar, vine videos, & objects (5 min)

Temporal Geodesics (ii) — for electric guitar & accordion (10 min)


2014_____

-degradative interference — for table-top electric guitar, vine video, pedals, & objects (10 min 30 sec).

-In Mere Spaces All Things are Side by Side i — Video collaboration with New Media Artist, Morehshin Allahyari

-G®¡ND — for Alto Saxophone, Percussion/Toys/Mixer and Live Electronics (17 min).

-Granulation by Stop Motion — for video installation

-Upsampling a Rubik's Cube — for video installation

-Lucier style flicker film — for video installation

-i/o — for Glissando Headjoint® Flute, Marimba, and Piano. (10 min 30 sec).



2013_____

-ab...con — 2-channel fixed EA & one surprise. (14 min)

-To Kill the Lingering Taste — for Dance and Live Electronics (14 min 19 sec). Choreographed by Melissa Sanderson. Guitar & Pedals improv. by Charles Underriner.

-Sangre de Grado — 2-channel fixed EA w/ accompanying video. (5 min 10 sec).

-I AM LONELY ICE CREAM MAN — 2-channel fixed EA. (16 min 11 sec).

-e  u  t  h  a  n  a  s  i  a — 2 channel fixed EA. (8 min 17 sec).

-Eidetic Variations — 2 channel fixed media soundscape. (16 min 41 sec).

-States of mind, matter, and America — 2 channel fixed media soundscape. (10 min 24 sec).

-Out of Two, 2 for Percussion/voice. 2013 (Approx 10 min).



2012_____

-®¡NG — 8 channel fixed media. (8 min).

-I have Only Crashed Once for Dance and Live Electronics (9 min 50 sec). Choreographed by Melissa Sanderson.

-G®¡D — 8 channel fixed media with optional performance art (12 min).

-Temporal Geodesics for Trombone and Live Electronics (duration varies substantially). Written for Jeremiah Stones.

-Sepia for Flute, Clarinet, Harp, Violin, Viola, and Cello (6 min). Commissioned by the NOVA Ensemble at UNT.



2011_____

-Losing Limbs for Drum set and fixed Electroacoustics (10 min 50 sec). Commissioned by Stephen Klunk.

-Modes of Perceptible Motion for Solo Soprano/Marimbist (8 min). Commissioned by Elizabeth Hall.

-The God Particle — 8 channel fixed media (8 min 34 sec).

-Impulsive Moments— Chamber ensemble with live electronics (9 min). 

-Corse Mode: for Straight Key and Electronics (6 min 21 sec).



2010_____

-Download: for Baritone saxophone and live electronics (9 min).

-Nomos Delta — 2 channel fixed media (7 min 15 sec). [edited in 2011]

-Alter-Soni-Cation [Masters thesis] — Pierrot ensemble. (approx. 10 min).

-Transparently: for Soprano and Live Electronics (6 min).


2009_____

-Upload — processed alto saxophone and electroacoustics.  (4 min 42 sec).

-3 Branes — percussion trio and electroacoustics in three movements.  (approx. 10 minutes).

-Eight Gluons 2009 (6 min 56 sec).

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The list continues, but most prior works have been completely redacted

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