(reverse chronological)
2017_____
🔄 🎹 — for two performers (piano/percussion), mobile device, spectacles, objects, & video
😎 🤳 — for [solo] saxophones, mobile device, video, & objects
🔄 🎹 — for two performers (piano/percussion), mobile device, spectacles, objects, & video
😎 🤳 — for [solo] saxophones, mobile device, video, & objects
2016_____
degradative interference PLUS — for deconstructed flute / morse code key, & e-guitar
Helmut & Teddy Coming Down After a Rave — for quintet & video
Cancellation Artifacts — for video installation
#hijackthishashtag — for untrained voice, objects, edibles, melodica, hacked DJ-hero, & live video (15 min)
degradative interference PLUS — for deconstructed flute / morse code key, & e-guitar
Helmut & Teddy Coming Down After a Rave — for quintet & video
Cancellation Artifacts — for video installation
#hijackthishashtag — for untrained voice, objects, edibles, melodica, hacked DJ-hero, & live video (15 min)
2015_____
Ursatzing the Unursatzable — concept piece
mini[aperture] — for solo cello (1 min)
Fever Dream — for piano & electronics (infinite duration)
degradative interference LITE — for table-top guitar, vine videos, & objects (5 min)
Temporal Geodesics (ii) — for electric guitar & accordion (10 min)
Ursatzing the Unursatzable — concept piece
mini[aperture] — for solo cello (1 min)
Fever Dream — for piano & electronics (infinite duration)
degradative interference LITE — for table-top guitar, vine videos, & objects (5 min)
Temporal Geodesics (ii) — for electric guitar & accordion (10 min)
2014_____
-degradative interference — for table-top electric guitar, vine video, pedals, & objects (10 min 30 sec).
-In Mere Spaces All Things are Side by Side i — Video collaboration with New Media Artist, Morehshin Allahyari
-G®¡ND — for Alto Saxophone, Percussion/Toys/Mixer and Live Electronics (17 min).
-Granulation by Stop Motion — for video installation
-Upsampling a Rubik's Cube — for video installation
-Lucier style flicker film — for video installation
-i/o — for Glissando Headjoint® Flute, Marimba, and Piano. (10 min 30 sec).
-degradative interference — for table-top electric guitar, vine video, pedals, & objects (10 min 30 sec).
-In Mere Spaces All Things are Side by Side i — Video collaboration with New Media Artist, Morehshin Allahyari
-G®¡ND — for Alto Saxophone, Percussion/Toys/Mixer and Live Electronics (17 min).
-Granulation by Stop Motion — for video installation
-Upsampling a Rubik's Cube — for video installation
-Lucier style flicker film — for video installation
-i/o — for Glissando Headjoint® Flute, Marimba, and Piano. (10 min 30 sec).
2013_____
-ab...con — 2-channel fixed EA & one surprise. (14 min)
-To Kill the Lingering Taste — for Dance and Live Electronics (14 min 19 sec). Choreographed by Melissa Sanderson. Guitar & Pedals improv. by Charles Underriner.
-Sangre de Grado — 2-channel fixed EA w/ accompanying video. (5 min 10 sec).
-I AM LONELY ICE CREAM MAN — 2-channel fixed EA. (16 min 11 sec).
-e u t h a n a s i a — 2 channel fixed EA. (8 min 17 sec).
-Eidetic Variations — 2 channel fixed media soundscape. (16 min 41 sec).
-States of mind, matter, and America — 2 channel fixed media soundscape. (10 min 24 sec).
-Out of Two, 2 for Percussion/voice. 2013 (Approx 10 min).
-ab...con — 2-channel fixed EA & one surprise. (14 min)
-To Kill the Lingering Taste — for Dance and Live Electronics (14 min 19 sec). Choreographed by Melissa Sanderson. Guitar & Pedals improv. by Charles Underriner.
-Sangre de Grado — 2-channel fixed EA w/ accompanying video. (5 min 10 sec).
-I AM LONELY ICE CREAM MAN — 2-channel fixed EA. (16 min 11 sec).
-e u t h a n a s i a — 2 channel fixed EA. (8 min 17 sec).
-Eidetic Variations — 2 channel fixed media soundscape. (16 min 41 sec).
-States of mind, matter, and America — 2 channel fixed media soundscape. (10 min 24 sec).
-Out of Two, 2 for Percussion/voice. 2013 (Approx 10 min).
2012_____
-®¡NG — 8 channel fixed media. (8 min).
-I have Only Crashed Once for Dance and Live Electronics (9 min 50 sec). Choreographed by Melissa Sanderson.
-G®¡D — 8 channel fixed media with optional performance art (12 min).
-Temporal Geodesics for Trombone and Live Electronics (duration varies substantially). Written for Jeremiah Stones.
-Sepia for Flute, Clarinet, Harp, Violin, Viola, and Cello (6 min). Commissioned by the NOVA Ensemble at UNT.
-®¡NG — 8 channel fixed media. (8 min).
-I have Only Crashed Once for Dance and Live Electronics (9 min 50 sec). Choreographed by Melissa Sanderson.
-G®¡D — 8 channel fixed media with optional performance art (12 min).
-Temporal Geodesics for Trombone and Live Electronics (duration varies substantially). Written for Jeremiah Stones.
-Sepia for Flute, Clarinet, Harp, Violin, Viola, and Cello (6 min). Commissioned by the NOVA Ensemble at UNT.
2011_____
-Losing Limbs for Drum set and fixed Electroacoustics (10 min 50 sec). Commissioned by Stephen Klunk.
-Modes of Perceptible Motion for Solo Soprano/Marimbist (8 min). Commissioned by Elizabeth Hall.
-The God Particle — 8 channel fixed media (8 min 34 sec).
-Impulsive Moments— Chamber ensemble with live electronics (9 min).
-Corse Mode: for Straight Key and Electronics (6 min 21 sec).
-Losing Limbs for Drum set and fixed Electroacoustics (10 min 50 sec). Commissioned by Stephen Klunk.
-Modes of Perceptible Motion for Solo Soprano/Marimbist (8 min). Commissioned by Elizabeth Hall.
-The God Particle — 8 channel fixed media (8 min 34 sec).
-Impulsive Moments— Chamber ensemble with live electronics (9 min).
-Corse Mode: for Straight Key and Electronics (6 min 21 sec).
2010_____
-Download: for Baritone saxophone and live electronics (9 min).
-Nomos Delta — 2 channel fixed media (7 min 15 sec). [edited in 2011]
-Alter-Soni-Cation [Masters thesis] — Pierrot ensemble. (approx. 10 min).
-Transparently: for Soprano and Live Electronics (6 min).
-Download: for Baritone saxophone and live electronics (9 min).
-Nomos Delta — 2 channel fixed media (7 min 15 sec). [edited in 2011]
-Alter-Soni-Cation [Masters thesis] — Pierrot ensemble. (approx. 10 min).
-Transparently: for Soprano and Live Electronics (6 min).
2009_____
-Upload — processed alto saxophone and electroacoustics. (4 min 42 sec).
-3 Branes — percussion trio and electroacoustics in three movements. (approx. 10 minutes).
-Eight Gluons 2009 (6 min 56 sec).
___
The list continues, but most prior works have been completely redacted
-Upload — processed alto saxophone and electroacoustics. (4 min 42 sec).
-3 Branes — percussion trio and electroacoustics in three movements. (approx. 10 minutes).
-Eight Gluons 2009 (6 min 56 sec).
___
The list continues, but most prior works have been completely redacted
